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Classical concerts featuring
Tarmo Peltokoski

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Upcoming Concerts

Concerts featuring Tarmo Peltokoski in season 2024/25 or later

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January 24, 2025
March 4, 2025
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Orchestre national du Capitole de Toulouse / Tarmo Peltokoski

Tue, Mar 4, 2025, 20:00
Philharmonie de Paris, Grande salle Pierre Boulez (Paris)
Orchestre national du Capitole de Toulouse, Tarmo Peltokoski (Conductor), Sol Gabetta (Cello)
From the poetry and sensuality of Debussy’s Faun, and the expressive power of a landmark cello piece, to Mahler’s first great epic, this program showcases the versatile talent of the conducting world’s new prodigy.
March 5, 2025
March 9, 2025
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Orchestre national du Capitole de Toulouse / Sol Gabetta / Tarmo Peltokoski

Sun, Mar 9, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Orchestre national du Capitole de Toulouse, Sol Gabetta (Cello), Tarmo Peltokoski (Conductor)
»I wouldn’t have become a conductor if I hadn’t discovered the music of Wagner,« admits Tarmo Peltokoski, the 24-year-old rising star who will be Music Director of the Orchestre national du Capitole de Toulouse from September 2024. At his ProArte debut, the Finn, who has been hailed as the »talent of the century«, also conducts a programme that certainly has something to do with Wagner – without a single one of his works being performed. Whether Claude Debussy’s shimmering »Prélude à l’après-midi d’un faune«, Ernest Bloch’s oriental-influenced cello rhapsody »Schelomo« – a feast for star cellist Sol Gabetta – or the powerful First Symphony by Wagner fan Gustav Mahler: each of these works deals with Richard Wagner in its own way. A home game »around the corner« for Tarmo Peltokoski.
March 12, 2025
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Orchestre national du Capitole de Toulouse

Wed, Mar 12, 2025, 20:00
Sol Gabetta (Cello), Orchestre national du Capitole de Toulouse (Ensemble), Tarmo Peltokoski (Conductor)
Cellist Sol Gabetta performs with Tarmo Peltokoski, the new principal conductor of the Orchestre national du Capitole de Toulouse. Peltokoski, a rising star conductor, credits Wagner's music for his career choice. The concert with Gabetta will have a connection to Wagner, despite not featuring any of Wagner's compositions.
March 28, 2025
March 29, 2025
April 12, 2025
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Jan Lisiecki plays Beethoven

Sat, Apr 12, 2025, 19:30
Tarmo Peltokoski (Conductor), Jan Lisiecki (Piano)
There are few experiences in classical music more invigorating, or more stirring than Sibelius’s Second Symphony. Imagine a swelling river of sound; a musical voyage that begins amid the tranquillity of nature and ends in a surge of triumph. That’s Sibelius’s Second Symphony, and there are few experiences in classical music more invigorating, or more stirring. For the young Finnish conductor Tarmo Peltokoski, Sibelius is a national hero. There’s another tale about memory to be told here, as Canadian pianist Jan Lisiecki takes centre stage to showcase the grandeur and glory of Beethoven’s mighty ‘Emperor’ Concerto – a work dedicated to the composer’s patron and friend, Archduke Rudolf. *Please note a change of programme from originally advertised
April 13, 2025
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Jan Lisiecki plays Beethoven

Sun, Apr 13, 2025, 15:00
Tarmo Peltokoski (Conductor), Jan Lisiecki (Piano)
Imagine a swelling river of sound; a musical voyage that begins amid the tranquillity of nature and ends in a surge of triumph.That’s Sibelius’s Second Symphony, and there are few experiences in classical music more invigorating, or more stirring. For the young Finnish conductor Tarmo Peltokoski, Sibelius is a national hero, and Canadian pianist Jan Lisiecki takes centre stage to showcase the grandeur and glory of Beethoven’s mighty ‘Emperor’ Concerto – a work dedicated to the composer’s patron and friend, Archduke Rudolf.
May 29, 2025
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Tarmo Peltokoski

Thu, May 29, 2025, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Tarmo Peltokoski (Conductor), Deutsches Symphonie-Orchester Berlin
16 hours of operatic drama condensed to 75 minutes: Lorin Maazel’s ›The Ring Without Words‹ is a sort of »Wagner to go« with all the orchestra hits and leitmotifs. For newbies and dyed-in-the-wool Wagnerians. At the Bayreuth premiere of the entire »Ring« in 1876, a magic lantern was even deployed. In Kaija Saariaho’s orchestral piece of the same name as well, everything revolves around light and music. The composer incorporated sensuous sounds and iridescent colours into the work.